17-05
2010

This is a quick post to share our newest project with Elle Magazine, "Dirty Little Secret". The Wall Street Journal wrote an article about it!

This is a great project involving both teams from US and Brazil with the amazing producing skills of our sister-company Vine Intertainment. And we even developed a brazilian character for the series.

More to come. Soon we will publish the trailer!


11-03
2010

Almost one month ago we - together with the Brazilian Advertisers Association - brought Jeff Gomez, CEO from Starlight Runner, to speak for clients, brands, agencies and people interested on transmedia. It was amazing.

Here, a very important show in Brazil that talked about Transmedia, its core concepts and how it can be applied to out-of-the-entertainment-industry areas such as EDUCATION. And the example was the Net Almanac, developed by Itacas and The Alchemists. Soon, subtitles in english


10-12
2009

When I was a little kid, my best friend and I had some imaginary friends. Their names were Ferdinand and Isabella (hers and mine, respectively) and they were tiny dragons, just up to our knees. I don't remember what hers looked like, but mine was lime green and hot pink, and I have a vivid sense-memory of imagining how it would be to cuddle a dragon.

We'd play with Ferdy and Izzy, as we called them, constantly. Whenever we built forts out of our parents' furniture, they were dragon caverns. We'd tell each other stories about them. We drew elaborate maps of where they lived, and if we'd had access to video cameras, I'm sure we would have tried to make home movies about them. When we went to school and were asked to do writing assignments, we wrote about Ferdy and Izzy. There was no part of our lives that they didn't touch.

When my best friend and I sat down and told each other stories about our imaginary dragons, we were just doing what came naturally - imagining, dreaming, hoping. It was just as natural for us to get up from the couch and go do something to extend that story into the real world: "Okay, you build a couch fort. I'll draw the map. Then we'll record a song that Ferdy and Izzy like to sing on the tape-recorder. And then let's watch a movie about dragons!"

In the end, that's basically what transmedia storytelling is about. It's about letting a story get its tendrils into every part of your life, and it's about suspension of disbelief. My best friend and I didn't really believe that we had invisible dragons named Ferdinand and Isabella. We knew that they were just made-up imaginary friends. But we wanted so badly to believe! It was such a cool idea! And when we drew a map, or when we pretended we were feeding part of our lunches to our dragons, or when we watched a movie with special-effects dragons that looked photorealistic - the story-world drew a little closer to our world. We could suspend our disbelief a little more. We could almost feel the warmth of the dragons' bodies next to our own, could almost feel the puff of their smoky breath against our hands.

It's hard to recapture that feeling as an adult. It's really difficult for me - for anyone, I'd imagine - to drop my inhibitions and really believe in a story-world. But when I begin to see pieces of the world everywhere - then I begin to believe. When I watch a television show, and read a comic about it, and then discover that the characters are actually carrying on a conversation on a social network - that they'll respond to my comments! - I begin to believe. When I see ads that belong to the story-world, ads for True Blood or for Oceanic Airlines, I do a double-take. I think, is there really an Oceanic Airlines? When I receive a business card from Stark Enterprises, and I fill out a job application to work with Iron Man, and I actually get a call back - then I'm hooked. Then I'm in deep.

And that's not just true for me, either. After all - you played make-believe, too, didn't you? So you've already had the prototypical transmedia experience. You already know that once you believe in something with all your heart, you'll remember it forever.


21-11
2009

Lately I keep getting into arguments in which I defend larpers.

To understand why one would get into such an argument, you have to understand what a larper is. LARP stands for Live Action Role Play. Larpers, then, are grown adults who get dressed up in elaborate costumes, arm themselves with boffers and Nerf guns and tennis balls, and go running around pretending to be someone else for a day, play-fighting and play-acting and generally making asses of themselves as far as “normal” people are concerned. In the Geek Hierarchy, larpers are pretty close to the bottom.

So I keep getting into these arguments. People make a joke about larpers (“I cast Magic Missile into the darkness!”) and I feel compelled to respond. My point is simple. Don’t you wish that, just for one moment, you could enjoy something as earnestly as larpers do? Don’t you remember what it was like, when you were a little child, to play cops & robbers, or to sit down to a tea party with your friends and stuffed animals, and to really completely give yourself over to that sense of play?

Isn’t that how you feel when you watch a really great movie? Aren’t you suddenly transported back in time, to when your mother or father told you stories, and you just wanted to live forever in that story world? When you stopped critiquing, stopped thinking like a grown-up, and just took it all in?

That’s alchemy. That’s the moment when lead turns into gold.

Next time: telling stories & making believe - childhood play as the prototypical transmedia experience.

20-11
2009

Here we are at FOE4, and Henry Jenkins has just gave his keynote about Transmedia Storytelling Principles. Amazing.

For our clients and those of you who have seen our speeches/workshops, this we are about to show is not new. But after seeing Henry's principles we wanted to share one of our Patron Saints, the most important: Scheherazade (in the US) or Sherazade (in Brazil), from the Arabian Nights.

For us, she was one of the first storytellers to make a hyperlinked story that really got all the transmedia principles (above). And she is one of the reasons of why our motto is "Transmedia Storytelling since 3000 B.C.":

  • Drillability
    Every story Scheherazade went deeper and deeper. She created an entire universe around the rabbit holes she created in her text. For example, in Aladdin's story - she dug into the story of the magic carpet, explaining why it was magic.
  • Continuity vs. Multiplicity
    The great majority of the Arabian Nights had stories that had continuity between each other... and 1001 nights, 1001 stories, certainly provides multiplicity!
  • Immersion/Extractability
    The sheer immersiveness of Scheherazade's stories were what made the Sultan fall in love with her (and give up on killing her). Many of the stories became extracts and parallel plots.
  • World Building
    By breathing life into Arabian mythology & legends, Scheherazade built that immersive world, that world where you can drill down deeply and explore broadly. And she references specific historical people - building the world out further and connecting it up to reality.
  • Seriality
    Come on. There's 1001 nights. If that isn't serial, I don't know what is!
  • Subjectivity
    Look at the titles of the stories in the 1001 nights: they're all referring to specific people. All these characters, all these perspectives - all these different understandings of a shared story-world!
  • Performance
    Scheherezade's storytelling isn't written. It's a complete performance - and it saves her life and thousands of others...
posted by Maurício Mota and Flourish Klink


02-11
2009

Vídeo-entrevista para o jornal Propaganda e Marketing sobre nossa empresa e a aliança que montamos com a AgênciaClick. Muito bom dividir a tela com o Abel Reis!


29-07
2009

Our video interview for the Lions Daily website. Lions Daily is the official news source of the Festival. The questions were great. We talked about Shakespeare, Borges, buckets, mothership etc...


18-07
2009

On June 27th we were at Cannes giving a seminar about Transmedia Storytelling and doing a homage to C3 and Henry Jenkins. Although it was the last day, we had a very attentive audience :).
During the seminar we launched the Alchemists Network, a ThinkDO Tank focused on delivering strategies and developing transmedia content and projects.

Many people from Brazil and abroad are asking for this video, so we decided to put it here while the new layout is not set. Hope you like it!


24-03
2009

Além de uma mudança drástica no site, todos poderão ver agora um aumento considerável na quantidade e qualidade de Alquimistas. Aguarde.


19-02
2009


Caros 19 leitores e leitoras. A atualização do Blog não está como deveria, mas no Twitter está indo melhor. Lá eu tenho colocado as citações mais importantes das palestras... Mas como já disse antes, o , da Regina Augusto, tá muito, muito completo.


Older posts: 1 2